{"version":"1.0","type":"rich","provider_name":"Yves Billon Zarafilm","provider_url":"https:\/\/zaradoc.c-real.org","title":"Oiseau Messager","author_name":"","width":"480","height":"295","url":"https:\/\/zaradoc.c-real.org\/catalogue\/article\/bird-messenger-in-developpement","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/zaradoc.c-real.org\/catalogue\/article\/bird-messenger-in-developpement'\u003EOiseau Messager\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003E\n\u003Cp\u003EAs he was a child in the north neighborhoods of Bamako, Drissa Konat\u00e9 helped his aunt who was knitting new born cloths by drawing birds on it. Rejected by his family because he preferred painting than praying, Drissa forged the basis of his art in the street, by great frescos disseminated on the Malian capital\u2019s walls or by the local bus decoration. He is today the leader of an artistic movement widespread throughout all West Africa under the name of “Roots art” : an adaptation of African (\u2026)\u003C\/p\u003E\n\u003C\/blockquote\u003E\n"}